故事发生在二十一世纪末,彼时地球上的各个国家终于找到了和平相处的方法。他们齐心协力,将拓展的目标放到了浩瀚的宇宙之中。然而,这片广袤的天地里还生活着其他星球的生物,在争夺资源的过程中,战争在所难免。 一场意外中,威尔(丹尼斯·奎德 Dennis Quaid 饰)乘坐的宇宙飞船坠毁在了一颗陌生的星球上,同时流落到那里,还有外星人杰瑞(小路易斯·格赛特 Louis Gossett Jr. 饰)。起初,威尔对于杰瑞充满了戒备之心,甚至屡次想置他于死地,然而,随着时间的流逝,彼此之间了解的加深,威尔发现杰瑞展现出了远超于人类的智慧和文明,两个不同星球的物种之间,建立起了坚实的友谊。
目前台灣的經濟與社會現狀,對想要組成家庭、以及擁有孩子的人們是種挑戰,更何況是對被邊緣化的跨性別族群來說,那是一場尚未成功的革命。
扮裝皇后Cherry在表演前夕與男友大吵一架,因為發現長期劈腿的男友和女人上床。傷心的她打起精神趕去上班,卻在途中撿到一名棄嬰,當與好姐妹Lena正魅力四射載歌載舞地表演時,她們卻在棄嬰身上發現了一個秘密…
意外在這晚闖入Cherry生命中的嬰兒,彷彿給了她一個擁有孩子和家庭的短暫美夢,但卻也再一次讓她和Lena意識到她們所處社會中無法忽視的殘酷現實。
這是一個扮裝皇后在夜晚小巷內撿到嬰兒的冒險故事,也是一個關於找尋自我歸屬的故事。
導演 | 林涵 Han LIN
畢業於國立台灣藝術大學戲劇研究所,是台灣演員、導演和編劇。以演出《雙瞳》和《夏天的尾巴》為名。曾編寫公視學生劇展短片《黑暗之後》劇本,並擔綱主角演出,也編寫電視劇《沒有名字的甜點店》劇本。《繁花盛開》是她的首部導演短片作品。
Julien Duvivier最好的作品之一也是他认为自己所有默片中最喜欢的一部。 Summary Bullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear... Review Drawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte. The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.